In Tucson and its environs,
diverse cultures have melded yet retained distinctive elements that create a
unique multi-faceted ethnography. The
Arizona-Sonora desert region has been home to indigenous peoples for thousands
of years who have been impacted by European missionaries, politicians, treasure
seekers, ranchers and miners, among others. The region has been able to
maintain its geographic and cultural authenticity.
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Mission San Xavier del Bac, the "White Dove of the Desert" about ten miles south of downtown Tucson, on the Tohono O'odham Reservation |
Founded in 1692, Mission
San Xavier del Bac was one of a series of missions founded by Father Eusebio
Francisco Kino, who wished to bring Catholicism to the indigenous people. The
current structure was built between 1783 and 1797 by the Franciscans. The missionaries were forced to leave in 1828
but returned in 1911. San Xavier, the
White Dove of the Desert, is still maintained as a parish church and school on
the Tohono O’odham (or Papago, an
English word translated from Spanish, after the conquistadores heard other
Piman bands calling them this) reservation.
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Detail of the craftsmanship on the exterior of the church |
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The main altar. The church is still in use as a parish church of the Roman Catholic Diocese of Tucson, and includes a K-8 school |
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The handle on the church door. In Christianity, a serpent symbolizes evil, but many Native American tribes thought the snake represented life,
change and longevity, and the rat represented security and survival. |
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View of the church taken from a nearby hill. The right bell tower is not missing its domed top. The top was never added to that tower during construction |
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The enclosed courtyard beside the church, Despite being constructed as a
mission in Spanish held territory, the church is entirely European; its
Baroque style is a mixture of Moorish and Byzantine architecture. |
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This chapel, a short distance away from the church, contains candles lit in intercessions and gifts of thanks for special favors received. While we were there, the statue in the very front was brought in and placed. |
The 35th annual
Wa:k Pow Wow, an inter-tribal pow wow, which is a North American Native
ceremony involving feasting, dancing and singing, took place at Mission San
Xavier on March 12-13, 2017. Traditional
dress, songs and dances are celebrated in a series of competitions over two
days.
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Dancers in traditional costumes line up waiting to be called to perform.
Note the man's American flag shirt. We were impressed by the many
symbols of patriotism displayed at the powwow. |
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All ages participated and competed, from this man... |
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...to this child, shown with her mother. The man seated to the right is one of the drummers, sitting in a drum circle under the Arizona state flag |
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Some of the dances featured individuals or maybe two competitors. At other times, everyone was invited to participate. |
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Even Native Americans who were not dressed in traditional costumes sometimes felt the urge to join in the dancing. |
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The costumes were beautiful and were obviously made - and worn - with a great deal of pride |
The legacy of indigenous
and early pioneers is preserved in several historic institutions.
The Arizona State Museum
was established in 1893, making it the oldest and now the largest anthropology
museum in the region. The museum houses
the world’s largest collection of Southwest American Indian pottery. The cultures featured include Apache, Hopi,
Navajo, Tohono O’odham, and Southern Piate.
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The Arizona State Museum, on the campus of the University of Arizona, is housed in one of about eight or ten buildings on the campus that were constructed by the Civilian Conservation Corps (CCC) during the Great Depression |
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Wedding dress from the late 1800's. Note the placement of the mirror that shows the bustle on the back of the dress. All of the items in the museum were donated by local families or businesses. |
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Close-up of one square of a quilt. Each block is a scene made by a different quilter, and the hand-signed name is then embroidered |
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The museum contains a full-scale replica of an underground
copper mine which visitors can walk through. Copper mining
was very prevalent in the mountains around Bisbee, Arizona |
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Rifle that belonged to Geronimo, a prominent leader and medicine man of the Chiricahua Apache tribe |
The Tucson Rodeo Parade
Museum houses historic artifacts from the pioneer days with emphasis on
buggies, wagons, surreys, and coaches. One
unique aspect of this museum is the historic vehicles are still very much a
part of the community as many of them are still used on the streets of Tucson
each year during the famous Rodeo Parade.
They are rented by or sponsored by local businesses, churches and civic
organizations, whose names are displayed on these historic “floats.”
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Trailer that belonged to Duncan Renaldo, television's "Cisco Kid." Renaldo was a man of small stature, so he rode a very small horse to make him look bigger, and therefore, only needed a small trailer for his horse when he went on tour |
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The banner on this calliope in the Parade Museum says La Fiesta de Los Vacaros but the graphic of the monkey climbing the giraffe's neck suggests it may have originally been built for and used by a circus. |
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Since 1925, the Parade Committee has acquired over 125 horse-drawn vehicles of all types, most of which were donated to the Parade Museum |
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Dresses from the 1950's displayed at the museum. |
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Several prominent families, including the descendants of Noah Webster and Seth Thomas donated carriages to the museum. Many of the pieces have appeared in movies, including Oklahoma and the John Wayne / Maureen O'Hara film McLintock |
For more about the Parade Museum, visit www.tucsonrodeoparade.com
The Tucson rodeo, officially
named La Fiesta de Los Vaqueros, is a classic professional rodeo that
has taken place since 1925. It
celebrates the skill and talent of the vaqueros
(cowboys; cattle-drovers) in events including barrel racing, bronco riding,
roping and bull riding. To help ensure
the continuance of the rodeo tradition, children are encouraged to participate in
events including roping and sheep-riding, referred to as mutton bustin’.
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Opening day of the rodeo; view from our seats of the judges' stand and the "chutes" from which the bronco and bull riders will emerge. We were there on opening day and the rodeo went on despite downpours that lasted most of the day. |
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"Mutton bustin'" Youngsters four to six years old compete in sheep riding. Note the little "rodeo clown" in the lower left corner of the picture |
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In a tribute to active duty military and veterans, flags of all five branches of service plus the POW flag presented before the rodeo gets underway. |
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Barrel racing |
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Young competitors roped and tied goats. Now we can truly say that "we've been to a goat-roping" |
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Steer roping |
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Bronco riding |
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Riders ready to assist the competitor once he completes his 8-second bronco ride, or if he is thrown |
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Bull riding. The man standing in front of the chute is a 'bull fighter" whose job is to distract the bull once the rider is off. He is not a typical rodeo clown, whose primary function is to entertain the spectators |
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The rodeo grounds took on the air of a county fair, with vendors selling all kinds of food and drinks, hats and clothing, trucks and trailers, and equipment of all types. We thought this tongue-in-cheek "kissing booth" was unique. |
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Most of the livestock was supplied by one ranch, which specializes in providing stock for rodeos all over the United States |
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The horns may have been cut off to make it a little safer to ride these bulls, but they are still big, dangerous animals that can easily hurt a rider, especially if he is thrown to the ground. |
Honoring traditions and
cultures and respecting the individual and his beliefs are part of the
foundation for a heterogeneous community’s growth and development, even as it
welcomes the challenges of the future. Tucson
has a long history of doing just that, and when combined with its colorful past,
it does, indeed, provide some wonderful Road Stories.